March 20, 2011

The karana sculptures of Thanjavur temple

(Image Source: The Hindu)

As part of the 2010-2011 music and dance season, the Music Academy Madras ran an interesting lecture series every morning during the second half of December. On December 21st, renowned Bharata Natyam dancer and scholar, Dr Padma Subrahmanyam, presented a one-hour talk on the karana sculptures of the Brihadeeshwara Temple in Thanjavur (Tanjore).

She introduced her lecture by revealing that she feels she has a special affinity with this majestic temple which is a UNESCO World Heritage Site. She first visited the temple as a teenager with her father. As soon as she stepped into the temple complex, she had a feeling of déjà-vu, a strong impression that she had already been there. She described her experience:

“When my father took me into the temple for the first time, I was about fifteen years old. It was quite dark. It used to be frightening to enter that temple. There was no crowd. It was after dark and there was no light. Something very strange happened to me. As I entered the temple, I anticipated what I was going to see. I knew which mandapam would be there, what would follow which path. I felt very familiar with the place as though I had already been there. This was long before I did research on the karanas. It is with this kind of psychic affinity that I started doing my research…. It was out of passion, love and inquisitiveness.”

It was on that day that her fascination for this temple took root and what followed was years of active and intense research which resulted in a PhD degree and a book on the karanas in Indian dance and sculpture.

Construction of the Brihadeeshwara Temple started in 1003 and was completed in 1010. Dr Subrahmanyam emphasised that it is not only an important historical monument but also an immensely significant cultural one. King Rajaraja Chola had made the temple an important centre for music and dance, and there are detailed records existing on its cultural administration. The original name of this temple complex was Rajarajeshwaram. Last year the temple commemorated its 1000-year anniversary. To celebrate this occasion, 1000 Bharata Natyam dancers performed at the temple on September 25th, 2010.

Watch 1000 dancers dance at a 1000-year-old temple:




The focus of Dr Subrahmanyam’s lecture was on the karana sculptures which are found in passageways located on an upper level just above the sanctum of the temple. They were discovered in the year 1956 – a significant year, as it was the same year, she revealed, that she presented her arangetram, or debut solo performance. She described this as a ‘divine ordination’, as if it was god’s wish for her to study the karanas.

It was an employee of the Archaeological Survey of India (ASI) who discovered a hidden passageway while removing weeds. This passage led to the long forgotten sculptures. Dr TN Ramachandran (director general of the ASI) identified them as sculptural depictions of the karanas. It took months to clear away all the debris and completely uncover the sculptures.

These sculptures are the oldest attempt at creating sculptural depictions of the karanas. These are figures of lord Shiva demonstrating the 108 karanas as described in the 4th chapter of the Natya Shastra, the ancient treatise on the Indian performing arts. However, here in Brihadeeshwara temple, there are only 81 sculptures and many empty slabs. The work was never completed.

Dr Subrahmanyam explained that the karanas are not poses (as was previously believed) but movements. The sculptures are like still photographs of a dancer performing the karanas. The sculptor portrayed a different aspect of the same movement. Each figure has four arms: Dr Subrahmanyam believes that the secondary arms show the course of the movement of each karana.

Dr Subrahmanyam spent 12 years researching the karanas which resulted in a doctorate degree and a mammoth work in three volumes: Karanas - Common Dance Codes of India and Indonesia. The task was not an easy one: “I had few secondary sources,” she explains, “so I had to study the scriptures and sculptures myself. I worked under the guidance of Dr TN Ramachandran who opened my eyes to many things. He’s a great scholar and archaeologist. He was the president of the UNESCO Museums Council at the time.”

(Left: Dr Padma Subrahmanyam and the karana sculptures of Brihadeeshwara temple. Image source: her website)


Unfortunately the part of the Brihadeeshwara temple where the karana sculptures are located is not open to the public. But this is not the only place where karana sculptures are found. They can be seen on the temple gopurams (entrance towers) of Chidambaram temple and at Saranagapani temple in Kumbakonam. Interestingly, there are also karana sculptures at the temple complex at Prambanam in Cental Java, Indonesia dating back to the 9th century.

(Above: karana sculptures at Chidambaram temple)

Learning the karana movments is part of every dance student’s syllabus. Dr Padma Subrahmanyam has made a tremendous contribution to the dance world by studying all the sources describing the karanas and reconstructing and documenting them. During her presentation at the Madras Music Academy, her 14-year-old grand-niece demonstrated some of the karanas. Excerpts of Dr Subrahmanyam’s television series on the karanas were also screened.

A clip of her more recent DVD Karana Prakaranam - Marga Tradition Revived is available for viewing here:





2 comments:

  1. Dr Padma Subrahmanyam's work on karanas is very valuable. I very much enjoyed watching her Karana Prakaranam DVD and the serial on Natya Shastra on Dancingindia.net . Learning the karana movments was part of every dance student’s syllabus, and should be today also.

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  2. Is it possible to learn the karanas from the DVD? I would very much like to learn it.

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